美国前卫艺术家白南准最重要的作品系列之一。“Video-Film Concert”系列包括6部拍摄于1966-1972年间的短片，其中第二部《Beatles Electroniques》被认为是VIDEO ART的早期经典。 　　Video-Film Concert 　　by Nam June Paik and Jud Yalkut 　　1966-72, 1992, 34:50 min, b&w and color, sound 　　Video Tape Study No. 3 1967-69, 4 min, b&w, sound 　　Beatles Electroniques 1966-69, 3 min, b&w and color, sound 　　Electronic Moon No. 2 1969, 4:30 min, color, sound 　　Electronic Fables 1965-71, 1992, 8:45 min, b&w and color, sound 　　Waiting for Commercials 1972, 6:45 min, color, sound 　　Electronic Yoga 1972-92, 7:30 min, b&w and color, sound 　　This recently restored collection of rare early collaborative works by Nam June Paik and Jud Yalkut is historically significant as well as remarkably prescient. Recorded between 1967 and 1972, these "video-films" reveal insights into the evolution of Paik's work in video, performance and installation, and are among the earliest explorations of the interfacing of film and video. They are marked by a playful, irreverent sense of improvisation and experimentation. Richly inventive and ironic, if at times technically crude, these experiments form a link between Paik's performance and sculptural works of the 1950s and early 1960s and the celebrated videotapes and installations of recent years. 　　These seminal collections include early examples of mass media appropriation, deconstruction and manipulation as cultural and political critique. For example, Video Tape Study No.3 is a direct media intervention, in which Paik distorts and manipulates footage from news conferences by U.S. President Lyndon Johnson and New York Mayor Lindsey. In a witty performative gesture, Paik briefly asserts his presence by waggling his finger at the screen. 　　Waiting for Commercials -- a hilariously kitschy compendium of Japanese TV commercials from the 1970s -- is an early example of Paik's use of appropriated television imagery as pop cultural artifact. Beatles Electronique reveals his engagement with manipulation of pop icons. Several pieces, including Electronic Fables, are examples of Paik's early experiments with electronic image manipulation, prior to his invention of the Paik/Abe Video Synthesizer. This piece also makes use of anecdotes by John Cage, who was a major influence as well as a collaborator of Paik. 　　Video Tape Study No. 3: Sound: David Behrman & Kenneth Lerner. 　　Beatles Electroniques: Sound: Kenneth Lerner. 　　Electronic Moon No. 2: Sound: Debussy.

美国前卫艺术家白南准最重要的作品系列之一。“Video-Film Concert”系列包括6部拍摄于1966-1972年间的短片，其中第二部《Beatles Electroniques》被认为是VIDEO ART的早期经典。 　　Video-Film Concert 　　by Nam June Paik and Jud Yalkut 　　1966-72, 1992, 34:50 min, b&w and color, sound 　　Video Tape Study No. 3 1967-69, 4 min, b&w, sound 　　Beatles Electroniques 1966-69, 3 min, b&w and color, sound 　　Electronic Moon No. 2 1969, 4:30 min, color, sound 　　Electronic Fables 1965-71, 1992, 8:45 min, b&w and color, sound 　　Waiting for Commercials 1972, 6:45 min, color, sound 　　Electronic Yoga 1972-92, 7:30 min, b&w and color, sound 　　This recently restored collection of rare early collaborative works by Nam June Paik and Jud Yalkut is historically significant as well as remarkably prescient. Recorded between 1967 and 1972, these "video-films" reveal insights into the evolution of Paik's work in video, performance and installation, and are among the earliest explorations of the interfacing of film and video. They are marked by a playful, irreverent sense of improvisation and experimentation. Richly inventive and ironic, if at times technically crude, these experiments form a link between Paik's performance and sculptural works of the 1950s and early 1960s and the celebrated videotapes and installations of recent years. 　　These seminal collections include early examples of mass media appropriation, deconstruction and manipulation as cultural and political critique. For example, Video Tape Study No.3 is a direct media intervention, in which Paik distorts and manipulates footage from news conferences by U.S. President Lyndon Johnson and New York Mayor Lindsey. In a witty performative gesture, Paik briefly asserts his presence by waggling his finger at the screen. 　　Waiting for Commercials -- a hilariously kitschy compendium of Japanese TV commercials from the 1970s -- is an early example of Paik's use of appropriated television imagery as pop cultural artifact. Beatles Electronique reveals his engagement with manipulation of pop icons. Several pieces, including Electronic Fables, are examples of Paik's early experiments with electronic image manipulation, prior to his invention of the Paik/Abe Video Synthesizer. This piece also makes use of anecdotes by John Cage, who was a major influence as well as a collaborator of Paik. 　　Video Tape Study No. 3: Sound: David Behrman & Kenneth Lerner. 　　Beatles Electroniques: Sound: Kenneth Lerner. 　　Electronic Moon No. 2: Sound: Debussy.

A compilation film released in South Korean theaters. It compiles material from the Cartoon Network show "We Bare Bears", specifically episodes 3/30/32/34/37/44 on Season 3.

A compilation film released in South Korean theaters. It compiles material from the Cartoon Network TV show "We Bare Bears", specifically shorts from and episode 13 to 17 from Season 3.

Two acting students perform the orgasm scene from "When Harry Met Sally..." The only problem is, Joanna has never actually experienced one for herself.

In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.

Abandoned by her father, a young woman embarks on a thousand-mile odyssey through the backroads of America where she meets a disenfranchised drifter. But despite their best efforts, all roads lead back to their terrifying pasts and to a final stand that will determine whether their love can survive their otherness.

A shell-shocked photojournalist, haunted by what he has witnessed on assignment in Africa, returns home on the eve of becoming a father. When one of his photographs threatens to destroy a Sudanese refugee's new life, the two men are reunited by nightmare events from the past.

The famed saltwater flats of the Bahamas and Belize give a beautiful setting for the fishing adventure and conservation initiative undertaken in "Buccaneers and Bones." Journalist Tom Brokaw -- who also narrates the series -- leads an expedition in search of the island's legendary bonefish. Joining Brokaw are an eclectic group of celebrities, authors and business titans to fly-fish and swap stories about the wonders of the sport, and the modern-day buccaneers also discuss the importance of ensuring healthy populations of marine species for generations to come. The series reveals research funded by Bonefish and Tarpon Trust and other organizations -- information to help anglers catch more fish and preserve fragile coastal habitats. Other seasons of the series take place off the island of Ambergris Caye in Belize. Patagonia founder Yvon Chouinard, actors Liam Neeson and Michael Keaton, TV host Jimmy Kimmel, and musician Huey Lewis are among Brokaw's guests.

日本の公衆浴場の一種である銭湯の水風呂に浸かりながら鑑賞するオーディオビジュアル作品。映像は３バージョンあり、テーマがそれぞれ「ゆらぎ」、「越境」、「浄土」となっている。自然から都市へと流れ込む水の流れと、銭湯内でお湯の浴槽と水風呂を交互に浸かる「温冷交代浴」を表現している。 　　This is an audiovisual work that can be viewed while soaking in a cold bath at a sento, a type of public bath in Japan. There are three versions, each with the themes of "fluctuation," "crossing borders," and "Pure Land.” These works express the flow of water from nature to the city, and are composed of images that depict people taking alternating baths in hot water and cold baths in public baths. 　　8mm film / digital, 5min30sec, color, sound, 2023 　　撮影 / 波田野州平 / 池添俊 　　編集 / 波田野州平 　　音 / 梅沢英樹 　　監督 / 池添俊